"Red Parallax"
65daysofstatic's Joe Shrewsbury: "...we wanted the album to be as direct as possible, but also wanted to find a way to represent all this much weirder, freer sound design we were doing alongside it...
'No Man's Sky' felt more like an exercise in the cinematic, with issues of framing, of photography and cinematography. The metaphor, if you like, of barely glimpsed images captured by a pinhole camera— blurred, damaged, imperfect—rendered to a greater and greater degree, and in larger and larger formats. A sort of samizdat of the non-existent generative future."
'No Man's Sky' felt more like an exercise in the cinematic, with issues of framing, of photography and cinematography. The metaphor, if you like, of barely glimpsed images captured by a pinhole camera— blurred, damaged, imperfect—rendered to a greater and greater degree, and in larger and larger formats. A sort of samizdat of the non-existent generative future."
