"Fell apart in the blink of an eye..."


TV on the radio - Million miles

"A million miles from home and all alone..."

TV on the radio - Mercy

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"...and when it turns the hole in my vision fills with you"

Photo by Benoît Barnéoud

Chelsea Wolfe - We hit a wall

"Pulled out my tongue so I can't speak the truth.
The picture in my vision it's the sun, it's you."

Chelsea Wolfe - The warden

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'August undone'

Ο Ryan Potts στην τρίτη κυκλοφορία του ως Aquarelle με τίτλο, 'August undone' αρμενίζει σε παράλληλες, ανομοιόμορφες μελωδικές επιφάνειες αιχμαλωτίζοντας διακριτικά και αποτελεσματικά τη λάμψη του καλοκαιριού, τις γλυκόπικρες ευωδιές των καλοκαιρινών αναμνήσεων και τις γαλήνιες ενατενίσεις της θάλασσας που σβήνουν, καθώς πλησιάζει το αυγουστιάτικο  δείλι, θέτει στα επαναλαμβανόμενα μουσικά του θέματα πρωταγωνιστές, λιτούς, ρομαντικούς τόνους στο πιάνο, ακουστικές κιθάρες, ακτινοβόλες συγχορδίες, ambient ριπές, εμποτίζει αλάνθαστα και λεπτομερώς τους ήχους του με έντονες παραμορφώσεις και αντηχήσεις και αυξομειώνει την ένταση τους συνθέτοντας ένα τοπίο ανείπωτης γοητείας που σε καλεί να προσαράξεις.

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'Slow focus'

Οι Fuck Buttons επιστρέφουν θριαμβευτικά, μετά από πολυετή δισκογραφική απουσία με το 'Slow focus', ένα ακόμα λεπτοτέχνημα, όπου δυσοίωνα, επιθετικα loops αναπηδούν και στροβιλίζονται αδιάκοπα πλάι σε συγκοπτόμενους, παρατεταμένους, φρενήρεις χτύπους της drum machine, μουντά ηλεκτρονικά βουητά και διαπεραστικοί θόρυβοι ανακατεύονται με απειλητικά, παραμορφωμένα, ρυθμικά beats, καθώς αρμονικές ταλαντώσεις που υποβόσκουν στο βάθος τέρπουν τις αισθήσεις μας.

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"With you it's a pleasure to speak and be heard, but we could just sit in cafes and not say a word”

Η Nadine Shah αφηγείται με γλαφυρότητα και ευαισθησία, έντεκα μελαγχολικά δραματικές ιστορίες και αποπλανά παράφορα τις αισθήσεις μας, χάρη στον αβυσσαλέα υποβλητικό ερωτισμό που διαπνέεται μέσα από τη βραχνάδα της εκπληκτικά όμορφης φωνής της, στην άρτια καθοδήγησή της από τον Ben Hillier, ο οποίος επιμελήθηκε την παραγωγή, στους αγωνιώδεις χτύπους των κρουστών και στους έντονους, παραμορφωμένους ήχους στις κιθάρες που καταδεικνύουν σφοδρές ψυχικές διακυμάνσεις, οι οποίοι στο δεύτερο μισό του 'Love your dum and mad' παραχωρούν τη θέση τους σε απλές, αλλά αφοπλιστικά μαγευτικές μελωδίες στο πιάνο.


Nadine Shah: "Dark stories just always seem more poignant to me. My favourite films are always about a woman dying, or a massive political injustice or someone overcoming a struggle. It's those dark stories that really stick with me and make me want to sit down and write a song."

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Music Alliance Pact - July 2013

Ακόμα μία συλλογή του Music Alliance Pact με σύντομες πληροφορίες για όσα ξεχώρισαν 29 συστηματικοί ακροατές μουσικής από την σκηνή της χώρας που διαμένουν. Αποκτήστέ την στο σύνολό της πατώντας εδώ ή μεμονωμένα στον τίτλο του κάθε τραγουδιού. Καλή ακρόαση!

Jim Ver is a classically trained musician and songwriter who works on solo instrumental projects, film scores and movie scripts. His second EP, Pictures, works as a collection of ambient, soothing sound poems. It's clear that words are not needed to tell a story, and his tales are told in chords and cadences. For the most part, he minimally relies on piano but the effect, both subdued and majestic, creates a much more overwhelming setting and, as a result, it's difficult not to be dragged into it.

ARGENTINA: Zonaindie
San Dimas is an instrumental indie-rock band from Rosario, one of Argentina's largest and most cultural cities. Generación Espontánea is one of the best tracks from their latest album, La Música y Las Cosas, and it was also part of a compilation released in 2012 by Planeta X, their label.

Originally a solo project for frontman Thom Savage, Kins made the move from Melbourne to Brighton in the UK two years ago and have been working hard at their craft since. Kin's new track Aimless is just that - it's both a dreamy saunter and an angular dance. Thom's distinct voice remains the subtle hero of this track. While this shares the unconvention of Local Natives, Alt-J, perhaps even Dappled Cities at their synth-tuned best, comparisons don't apply to Kins. One of Australia's best exports and most underrated bands.

AUSTRIA: Walzerkönig
Singer John Dawa and the band that formed around him stand for honest and unpretentious folk music. Two voices, a cello, a cajón and an acoustic guitar are all the ingredients they need. Their frequent live performances with a hippie touch (flower garlands on mic stands, that sort of thing) have earned them a constantly growing fanbase. Some Things Are Different is the opener of their full-length debut This Should Work.

Banda Uó are like a big kitsch joke, a sense of fun that is manifest through their fearless use of pop references with Brazilian technobrega (which can be translated as something like "cheesy techno"). In this song, they use Two Door Cinema Club's Something Good Can Work as 'inspiration' for messing up.

Air Marshal Landing are three friends who make music that sounds greater than the sum of its parts. Together since 2009, they've recently put the finishing touches on their first long-player, You Used To Be Me, which is ballsy enough to mix genres and is unapologetic in its catchiness.

CHILE: Super 45
Emiliana Araya is Kinética and she's returning this year with II, her second album, this time helped by Milton Mahan and Pablo Muñoz (De Janeiros) in the production side. In addition to her usual electronic beats, Kinética explores pop and soul from an experimental prism, adding new elements to her intimate songs. Halo is a MAP exclusive download and a preview of her new record, which features collaborations from Marcos Meza and Fakuta.

El Ombligo has gone largely unnoticed in the Colombian music scene. So that's why we want to emphasize this union of many musicians, local and abroad, from Germany to Mexico, under the command of Colombian bass player Santiago Botero. They are doing what they call a new folklore, starting from Andrés Landeros' cumbia to 60s free jazz. The fascinating Trinidadla is taken from their 2012 album Canción Psicotropica y Jaleo.

Following up on 2012's acclaimed third full-length, Out Of Options, Bodebrixen aka Andreas Brixen and Aske Bode have released a great first synthpop taste of an as-yet-untitled EP which will be released later this year. The Wave is a summery MAP exclusive download.

DOMINICAN REPUBLIC: La Casetera
El Trio is a progressive rock band from Santiago who recently released their third album Las Manos. One minute is all it takes to really appreciate the magic of Canterbule Pt. III in which jazz and rock combine beautifully. You can hear and download their genre-bending songs on Bandcamp.

ECUADOR: Plan Arteria
The sound of Los Pescados is a mix of garage-rock, blues and grunge. The duo, Nelson Coral (guitar, vocals) and Juan Fernando Andrade (drums), from Manabí are like their albums - powerful and groundbreaking.

ESTONIA: Rada7.ee
Barthol Lo Mejor jumpstarts your night with trash electro. This young dance god is upbeat and raw like Justice, Soulwax and Huoratron. Patrol The Block is taken from his new EP CitYearning, available from Bandcamp.

FINLAND: Glue
Just a few months after his excellent debut as a solo artist, singer-songwriter Matti Jasu gathered the band again and recorded a follow-up album, laying down seven songs in an intense one-day session. The New Year is the first single off Pin On The Map and is fun, guitar-based Americana with sweet pop melody and harmonies. You can listen to the album online or buy the CD for a very affordable price on Bandcamp.

INDONESIA: Deathrockstar
Inspired by Nine Inch Nails, Ministry and Rob Zombie, Helmproyek sound like a demo by an obscure industrial band that has been locked and buried for a couple of decades and just recently found by an unlucky soul.

IRELAND: Harmless Noise
At the forefront of grime production in Ireland, Major Grave is a bright spot, having built a solid rep from scratch in the under-represented genre, recently releasing a track on the UK's esteemed Big Dada compilation. Here he takes up'n'comer Ms Hazel's pop ditty You Cannot Break My Heart and with her vocal pristine, transforms its dance vibe into a bass-heavy baller with a sweet electronic motif.

ITALY: Polaroid
Wolther Goes Stranger was originally the solo project of guitarist Luca Mazzieri, from the band A Classic Education, but has now become a trio. The title of their debut album is Love Can't Talk. Maybe love can't, but Wolther Goes Stranger definitely do, and their speech is full of sex and synths, buried under obssessive beats. Music to get naked to. This summer is going to be very hot.

Vocaloid, a singing synthesizer software most popularly associated with the green-haired character Hatsune Miku, has been put to more and more experimental usage over the past few months. Here's one of the best examples yet, in which the digi voice of character Sekka Yufu sings only syllables and become smothered in the synth blanket conjured by Tokyo producer k■nie. Would still be gorgeous without the Vocaloid, but becomes more intriguing with it.

Peklectrick is the studio-based solo project of former Dripht guitarist Patrick Galea. It is an eclectic mix of guitar-driven music with abundant doses of reggae, some blues and a little funk. The music comes wrapped in socially conscious lyrics, a punk rock ethos and a tongue that is firmly stuck in cheek. Surreally speaking, it is the sound of The Clash meeting Beck in Jamaica to discuss the blues over some Scotch. The music is what award-winning producer David Vella referred to as "so cool it's almost illegal". Peklectrick is currently on an indefinite hiatus taking care of other business, contemplating his next move and drinking tea.

Apache O'Rapsi, from the northern region of Mexico, is the bass player of an important local band called Suave As Hell. With his very mature solo project, he released a couple of singles in 2012, and now he has delivered Remedios Varios, an album that includes all those songs. The powerful music and naive lyrics emotionally encompass our deep Mexican roots, landscapes and flavours. Tarde Oscilante is one of those arid, nostalgic melodies.

NETHERLANDS: Subbacultcha!
You only have to listen to Those Foreign Kids to know there's more to Haarlem than pretty tulip fields; their avant-garde noise pop is not only a ferocious aural assault but a welcomed one. The just-released track Get Eaten from debut album Zero Gravity Somersaulting Craze features vocals from Merinde Verbeek of Mineral Beings. Jump into their noisy universe.

PERU: SoTB
Ten years of experience and four records confirm Gaia as one of the best rock bands in the country. Giroscopios, Coordenadas y La Fábrica De Nubes is the name of their most recent album, available for free download on their website. It displays a musical evolution as well as the professional maturity of each of its members. Latest single Sobrepeso boasts typically strong melodies.

When you live in a country where rockism is still strong it's hard to find a band like Crab Invasion. Ironically, they started from (indie) rock origins and still use guitars, but in a different way. Sophisticated chord progressions, catchy melodies, vocal harmonies - it's all in the songs of this young group led by 22-year-old Jakub Sikora. And it will be much more when their upcoming debut album is released.

David Santos' solo project Noiserv first appeared on MAP in 2009. Since then, Noiserv has conquered his place in the Portuguese music scene and is recognized as one of the most innovative young artists in the country. So much so that in 2010 he was asked to create the soundtrack for a documentary about José Saramago, the Nobel Prize winner. Noiserv will release his new album in October and Today Is The Same As Yesterday, But Yesterday Is Not Today (see video) will be on it.

PUERTO RICO: Puerto Rico Indie
When Julian Brau and Rebecca Adorno met in 2007, their lives took a turn that led directly to Suturee. Now a four-piece trying their luck in New York City, Suturee still works with delicate orchestral pop arrangements that playfully oppose Brau's and Adorno's voices. The band turned to crowdfunding last year in order to finance their sophomore effort, Skim The Surface. One of the rewards offered through their successful Indiegogo campaign involved recording a cover chosen by the backer, and that is how today you can hear Suturee's unique take on The Misfits classic Skulls.

ROMANIA: Babylon Noise
Environments are an experimental act from Bucharest. Their songs are inspired by beautiful things such as childhood memories, books and peaceful places. Stefan Panea comes up with the core arrangements, which are then disfigured, enhanced and re-recorded live with Alex 'Para' Ghita (drums) and Marius Costache (effects and noise). You can step into their world through Bandcamp.

SCOTLAND: The Pop Cop
Close To Home is very much the sound of now - cut 'n' paste vocals carried on waves of brooding electronic pop and tribal drums. It's the colossal production that lifts Eilidh Hadden from teenage singer-songwriter hopeful to the realms of genuine contender. Comparisons to Ellie Goulding are inevitable, and apt. It's still early days for Eilidh but if she remains on this path then her future could be dazzling.

SOUTH KOREA: Korean Indie
Rock trio Telefly has been wowing live audiences in Seoul for a number of years. Two years after their first full-length, the band returned with the EP Avalokiteśvara earlier this month showcasing their own brand of psychedelic music. Lead track Meddle has a tough sound with great drive and energy.

SPAIN: Musikorner
Monki Valley doesn't like to be labeled, but we can say he's originally from the Canary Islands and he's got Red Bull Music Academy's eyes on him. He's more than just tropical electronica, and he is currently exploring, musically, the landscapes of remote countries such as Brazil and Peru.

UNITED STATES: We Listen For You
Oakland's Trails And Ways feels less Oakland and more Bilbao, Barcelona or Barranquilla, depending on how their first EP, aptly named Trilingual, falls. The highlight of the record for me is Como Te Vas, an infectious summer anthem guaranteed to play well in Ibiza or on the BART.

Click the play button icon to listen to individual songs, right-click on the song title to download an mp3, or grab a zip file of the full 29-track compilation through Ge.tt here.

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"And in these heavy days I do not ask for release. I do not ask that suffering shall cease."

Ο ορμητικός άνεμος τη απόγνωσης, των αποσπερινών σκέψεων, των σφοδρών ανεκπλήρωτων επιθυμιών, της απογοήτευσης, του πόνου που καταφθάνει λίγο πριν της αυγής το λευκό φέγγος, όπως εκφράζεται μέσα από τους αποπνικτικά σκοτεινούς ήχους της drum machine και των synths και φυσικά, μέσα από τις αισθησιακά ρομαντικές διηγήσεις της Camella Lobo αναμένεται να βροντήξει τις πόρτες μας στις 23 Σεπτεμβρίου, δηλαδή τρεις ημέρες μετά την πολυαναμενόμενη εμφάνισή της στο Fuzz Club. Η πρώτη ολοκληρωμένη δισκογραφική κυκλοφορία της ως Tropic of Cancer έχει τίτλο 'Restless idylls' και είναι βέβαιο ότι θα συγκλονίσει.


Tropic of Cancer's Camella Lobo: "I wanted the record to feel like a collection of scenes or stories. That's where the idea of bringing in the word "idylls" comes in. Idylls are short poems that are known as snapshots. If someone says it's an idyllic time, it's these beautiful pastoral scenes."


"They're poems about love, but snapshots of a moment. I was trying to come to terms with these scenes in life and these things that we see as natural parts of human existence. Each song tries to describe these scenes, so it is soundtrack-y or cinematic in that sense."


Camella Lobo: "As much as I try to make music about other subjects, I honestly don’t feel anything unless I am writing about loving and losing and living and dying."

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'Immunity'

Ο Jon Hopkins σκιτσάρει αριστοτεχνικά στο 'Immunity' ένα ωριαίο ντελίριο αφοπλιστικών αντιθέσεων, συναισθημάτων και ρυθμών που προσπερνά, μετασχηματίζει, παρακάμπτει και γκρεμίζει ταχυδακτυλουργικά τους κώδικες της σύνθεσης, διαφοροποιώντας πετυχημένα το πρώτο μισό από το δεύτερο, τοποθετώντας ζωηρά techno loops πλάι σε απέριττες μελωδίες στο πιάνο, ενσωματώνοντας φυσικούς ήχους σε επαναλαμβανόμενα, λεπτομερώς επεξεργασμένα και παραμορφωμένα beats, αφουγκράζοντας ακατάβλητα την παλλόμενη καρδιά των κρουστών και βηματίζοντας υπό τα μουρμουρητά βροχερά πένθιμων φθογγόσημων και αναλογικών synths.

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